When it came to putting all the shots together into one sequence, I used Adobe Premiere Pro CS3 for the editing stage. I set up a new project, chose the project settings
I set the Editing Mode in the project settings to Desktop as it would allow me to run the sequence/timeline in 24 frames per second. Then I made sure that the frame (screen) size was at HD 1080 (width: 1920 height: 1080) and the Pixel Aspect Ratio was left at D1/DV PAL.
I imported all the movie files that were composited and rendered in After Effects and set them in order according to the final animatic. Once all the shots were cut and fitted together, I had to render them in Adobe Premiere Pro so I would be able to keep the quality while exporting the whole sequence as a movie clip.
I did several versions of the final movie and exported more than one movie clip of the whole sequence in order to send one to my fellow collaborators to work on the music, sound effects and grading. Had to change and re-render some of the shots though when something was missing or didn't look right.
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| Importing the rendered files into Premiere pro. There was more than one rendered shot as I kept updating/altering any shots that needed fixing. Also I thing throughout this stage was to make sure that the files be named correctly. If a Quicktime movie clip was saved with an avi code such as "example.avi" it would not work properly and won't even import into Premiere Pro or After Effects. |
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| Painstakingly rendering every single frame in Premiere Pro. The longest time it took to render the full sequence was approximately 40 minutes. |
When it came to exporting the movie clip, I did it in the format of a Quicktime movie file and changed the compressor to H.264 as I had to chose a setting that would keep the quality of the original sequence. I also kept the Color Depth at "Millions of colors" and the Pixel Aspect Ratio at "Square Pixels (1.0)" as that best fits the HD 1080 format.
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| Export Movie Settings. |
Kept the Keyframe and Rendering Settings at default mode, the Bit Depth
was fine set at “Use Project Setting.”
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| Audio settings |
As for the audio, I kept the mode at uncompressed and the Sample Rate at 48000 Hz although the original music and sound effects track that was sent was at 44100 Hz but it would still work just as well.